There is music playing throughout the title sequence. It begins quite eerily with a bluesy bass line, suggesting jazz and a gangster genre. A saxophone then begins to play over the top of a character title of a female in a raunchy tone, suggesting manipulation through sex within the film. The saxophone fades out and the bass continues until an eerie clap sounds and a high pitched, scratching noise takes over. Among this, there are sound effects such as a also very low pitched, muffled sounds that sound like slowed down, manic laughter, suggesting some form of evil antagonist within the film, and sounds such as gunshots. All of these come together to create a sinister, tense sound that has you on the edge of your seat, and they gradually build up to the title credits where there is a symphony of violins that sound manic and overwhelming, suggesting some downfall within the film, which then quickly stop, leaving the music to start quietly again with the bluesy bass line as it did at the beginning of the title sequence.
Wednesday, 9 March 2011
Title Sequence Analysis: Sin City
There is music playing throughout the title sequence. It begins quite eerily with a bluesy bass line, suggesting jazz and a gangster genre. A saxophone then begins to play over the top of a character title of a female in a raunchy tone, suggesting manipulation through sex within the film. The saxophone fades out and the bass continues until an eerie clap sounds and a high pitched, scratching noise takes over. Among this, there are sound effects such as a also very low pitched, muffled sounds that sound like slowed down, manic laughter, suggesting some form of evil antagonist within the film, and sounds such as gunshots. All of these come together to create a sinister, tense sound that has you on the edge of your seat, and they gradually build up to the title credits where there is a symphony of violins that sound manic and overwhelming, suggesting some downfall within the film, which then quickly stop, leaving the music to start quietly again with the bluesy bass line as it did at the beginning of the title sequence.
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